| Title of the novel/novella/play | Author | Year of publication | English translation | Translator | Publication | Water body | Theme | |||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A Trilogia das Barcas (Auto da Barca do Inferno, Auto da Barca do Purgatório, Auto da Barca da Glória) | Gil Vicente | 1517-1519/ Anthology- 1562 | The Trilogy of the Barges (The Boat of Hell, Purgatory, and Glory) | N/A | Compilação de Todalas Obras de Gil Vicente (Anthology)- João Álvares | Ocean / Sylmbolic Harbour | One-act dramas that feature personified vices, virtues, and social archetypes from 16th-century Portuguese society who seek passage on boats bound for hell, purgatory, or heaven, thereby satirizing moral failings, clerical corruption, and class pretensions through vivid allegorical judgment scenes. A sharp critique of 16th century Portuguese society, critics often remain divided between classifying them as morality plays or farces. | |||||||||||||||||||
| Cortes de Júpiter | Gil Vicente | 1521 (Premiere)/ Anthology- 1562 | The Courts of Jupiter | Aubrey F. G. Bell | Compilação de Todalas Obras de Gil Vicente (Anthology)- João Álvares | Atlantic Ocean, Tagus River | Court entertainment being Vicente’s purpose throughout his dramatic career, he wrote The Courts of Jupiter on the occasion of celebrating Princess Beatriz who was leaving Lisbon, in August,1521, to marry the Duke of Savoy. Providence orders Jupiter, the king of the elements, to hold Court and to put into propitious order the planets and stars for the Princess’ voyage to the distant parts. Mars, who will accompany and protect the retinue of eighteen ships, praises the Portuguese accomplishments in Africa and in the Far East, and generally pays homage to the Portuguese Royal Family. | |||||||||||||||||||
| Comédia Eufrosina | Jorge Ferreira de Vasconcelos | 1555 | Comedy of Euphrosyne (Google Translate) | N/A | Nabu Press | Atlantic Ocean | Written at the pinnacle of Portuguese Maritime Network, Comédia Eufrosina satirizes the 16th century notions of courtly love and morals. The play was written as prose “para ser lida” (to be read), inspired by the Spanish dialogue novel LaCelestina, often attributed to Fernando de Rojas. | |||||||||||||||||||
| Os Lusíadas | Luís Vaz de Camões | 1572 | The Lusiads/ The Discovery of India, an Epic Poem | William Julius Mickle (1776) | António Gonçalves (1572), George Bell and Sons (1877) | Atlantic Ocean, Indian Ocean, Tagus River | Regarded as the most important work of Portuguese-language literature and is frequently compared to Virgil’s Aeneid. The work celebrates the discovery of a sea route to India by the Portuguese explorer Vasco da Gama (1469–1524). Written in homeric fashion, blending historical and mythological elements, the epic poem immortalized the mythology of Tagus nymphs. | |||||||||||||||||||
| O Sucesso do Segundo Cerco de Diu | Jerónimo Corte-Real | 1574 | The Success of the Second Siege of Diu (Google Translate) | N/A | Edições Inapa (1991) | Arabian Sea | Dedicated to King Sebastian, a historical epic celebrating the Portuguese defence of Diu against the Sultunate of Gujarat. Spanning over 21 Cantos, in praises of Captain Dom João de Mascarenhas, Jerónimo Corte-Real alludes to characters from Aenid. Some critics see it as an attempt to highlight the shared cultural ties via the Greco-Roman classical tradition. | |||||||||||||||||||
| The Pastoral Trilogy- Primavera, O Pastor Peregrino, O Desenganado | Francisco Rodrigues Lobo | 1601, 1608, 1614 | Primavera, The Pilgrim Shepherd, The Disillusioned Man (Google Translate) | N/A | Jorge Rodrigues, Pedro Craesbeeck | River Lis & River Lena | Masterful depictions of the Portuguese rural landscape. The trilogy is specifically famous for its eclogues, and poetic interpollations; Brings the 17th century peasantry alive with Rivers Lis and Lena as idyllic pastoral settings. One dimensional understanding of Portuguese history can often lead one to consider the trilogy’s aqua-human relationships somewhat anachronistic. | |||||||||||||||||||
| Peregrinação | Fernão Mendes Pinto | 1614 | Pilgrimage/ The Travels of Mendes Pinto | Henry Cogan (1653)/ Rebecca D. Catz | Pedro Crasbeeck/ Publicações Europa-América (1984) | Atlantic Ocean, Indian Ocean, South China Sea | In 1537, Pinto left for the East and began the adventures that would be recorded in Peregrinação. Pinto spent the next twenty- one years exploring exotic locales throughout Africa and Asia, including Ethiopia, India, China, and Japan. Throughout his travels, Pinto held positions as a servant, soldier, doctor, missionary, ambassador, and pirate. One of Pinto’s adventures resulted in his conviction for ransacking royal tombs in China, and as punishment his thumbs were cut off and he was sentenced to one year of construction work on the Great Wall. He also worked as a merchant in China and Japan. After meeting the Jesuit priest, Xavier, Pinto joined the Society of Jesus and provided funds for the first Christian church in Japan. During his remaining years in the East, Pinto shed most of his wealth and spent his time in evangelical and ambassadorial activities in Japan. | |||||||||||||||||||
| Comédia Ulyssipo | Jorge Ferreira de Vasconcelos | 1618 | Comedy of Ulysippo (Google Translate) | N/A | Academia Real das Sciencias (1787), Forgotten Books | Tagus River | The play centers on a wealthy Lisbon patriarch named Ulysippo and the tangled romantic pursuits of his household. Named after Roman name for Lisbon Olisipo, the play uses the bustling city as a vivid backdrop to blend classical Roman comedy with Portuguese chivalric ideals. | |||||||||||||||||||
| Sermão de Santo António aos Peixes | Padre António Vieira | 1682 | Sermon of Saint Anthony to the Fish | Thomas Haberer | Oxford Press | são luis do maranhão (Atlantic Ocean) | The sermon was preached in S. Luís do Maranhão, in Brazil, on June 13 (St. Anthony’s Day in the liturgical calendar) of 1654 – following the disputes that arose between the Brazilian settlers and the Jesuits (religious order to which Vieira belonged), which contested the slavery of indigenous peoples. Three days after preaching, António Vieira embarked hiddenly for Lisbon, to try to get it from King D. John IV laws that guaranteed basic rights to Brazilian Indians, that protected them from the exploitation of white settlers. Vieira managed to achieve his goals, grudgingly of the settlers who thus lost part of their cheap labor, which they exploited ruthlessly. | |||||||||||||||||||
| Labirinto de Creta | AntÓnio José da Silva | 1744 | Labyrinth of Crete | Juliet Perkins (2004) | Mellen Press | Atlantic Ocean, Mediterranean Sea | Labirinto de Creta is one of the eight Portuguese satiric operas, first performed in the Lisbon puppet theatre from 1733 to 1738. Their librettist, AntÓnio José da Silva, is an enigmatic and ill-fated figure. Born in Rio De Janeiro in 1705, he was sentenced to death at an auto-da-fé in Lisbon in 1739, for having practiced Judaism. Labirinto de Creta combines a love intrigue with a comic treatment of the myth of Theseus slaying the Minotaur, and is a thinly veiled satire on then contemporary Portugal | |||||||||||||||||||
| Viagens na Minha Terra | Almeida Garrett | 1846 | Travels in my Homeland | John M. Parker | Peter Owen Publishers | Tagus River | Written in response to the imposition of the Cabral dictatorship in 1841, the work blends travel narrative with romantic fiction. The author recounts his journey from Lisbon to Santarém while weaving in a love story involving Carlos, a liberal military officer, and his cousin Joaninha during Portugal’s civil war. | |||||||||||||||||||
| Amor de perdição | Camilo Castelo Branco | 1862 | Doomed Love (2000) | Alice Clemente | Em casa de N. Moré | Atlantic Ocean | One of the most important works of Portuguese Romanticism, Branco narrates the story of the forbidden love between Simon Botelho and Teresa of Albuquerque. Heavily influenced by the legends and traditions of the region between Between Douro and Minho, with ultimately ocean as the embodiement of fatalism. | |||||||||||||||||||
| O Judeu | Camilo Castelo Branco | 1866 | The Jew: a murder in the fires of the Holy Office in Lisbon | José Awn | Em Casa de Viuva Moré | Atlantic Ocean, Tagus River | About the life of António José da Silva, a Brazilian-born Portuguese dramatist and satirist widely known by his historical moniker, “the Jew”, who was arrested, tortured, and executed at the stake in Lisbon by the Portuguese Inquisition for secretly practicing Judaism. | |||||||||||||||||||
| as pupilas do senhor reitor | Júlio Dinis | 1867 | The Dean’s Pupils | N/A | Imprensa Nacional | Ave River | The novel is set in the second half of the nineteenth century in a Portuguese village, and related the story of Margaret and Clara and their romances with the sons of the farmer, José das Dornas, Daniel and Pedro. Often said to mirror his own life, the novel is enriched by country life depictions and scenery in a simple and appealing style. | |||||||||||||||||||
| A Relíquia | Eça de Queirós | 1887 | The Relic (1994) | Margaret Jull Costa | Livraria Internacional de Ernesto Chardron/ Dedalus Books | Dead Sea, Mediterranean Sea, Nile River | The Relic is a satirical realist novel narrated by Teodorico Raposo, a hypocritical young man who pretends to be devout to please his wealthy, pious aunt while secretly living a licentious life. | |||||||||||||||||||
| A Cidade e as Serras | Eça de Queirós | 1901 | The City and the Mountains | Margaret Jull Costa | Lello & Brother | Duoro River, Atlantic Ocean | By the time Queirós was writing The City and the Mountains, he had already departed from realism. In this book, Queiroz makes a comparison between the civilized and agitated life of Paris and the quiet and quiet life in the mountain town of Tormes. | |||||||||||||||||||
| As Ilhas Desconhecidas | Raul Brandão | 1926 | The Unknown Islands | David Brookshaw | Quetzal Editores/ Tagus Press | Atlantic Ocean, Azores archipelago | In the summer of 1924, Portuguese writer and journalist Raul Brandão arrived on the Azores. These distant, enigmatic islands—then a five-day sea voyage from mainland Portugal—had long occupied a romantic spot in his imagination; so, having recently established himself as an author of note, Brandão set off to conduct, in his own words, “an interview with the Azores.” Starting his journey on Corvo, the smallest and northernmost of the archipelago, which he described with a measure of trepidation as “nothing but a rock and the wind in the vast solitude of the Atlantic,” Brandão gradually island-hopped his way east over the course of the next two months. The notes and observations he made were subsequently published as As Ilhas Desconhecidas (The Unknown Islands), now considered a classic of Portuguese travel literature. | |||||||||||||||||||
| Varanda de Pilatos | Vitorino Nemésio | 1927 | Pilate’s Balcony (Google Translate) | N/A | Livrarias Aillaud e Bertrand | Atlantic Ocean | Set in Terceira Island (Azores), story follows a young Venâncio as he leaves his village to study in the city. The novel closely examines Azorean rural life and the isolating realities of island existence. | |||||||||||||||||||
| A Selva | Ferreira de Castro | 1930 | Jungle: A Tale of the Amazon Rubber-Tappers | Charles Duff | Lovat Dickson Limited | Atlantic Ocean, Madeira River | A prominent work of Portuguese social- realist fiction, known for its detailed depiction of the exotic region and its human drama. ‘Selva’, in portuguese means tropical rainforest. The novel draws heavily on Castro’s experiences working on a rubber plantation in the Amazon rainforest. The book offers a vivid portrayal of the Portuguese emigrant experience and the complex relationships among rubber workers in the Brazilian jungle. | |||||||||||||||||||
| Mensagem | Fernando Pessoa | 1934 | Message | Jonathan Griffin | The Menard Press | Atlantic Occean | The book consists of 44 poems, each dedicated to a great figure of the history, culture and myths of Portugal. It contemplates the ancient grandeur of Portugal, and glorifies above all the style of Luís de Camões. The expression “mensagem” in Latin: Mens agitat molem, meaning, “the spirit moves matter” a phrase from the epic poem The Aeneid by Vergil, said by Anchises when he was explaining the Universe to Aeneas. | |||||||||||||||||||
| A Criação do Mundo | Miguel Torga | 1937 | The Creation of the World | Ivana Rangel-Carlsen and Patricia Odber de Baubeta | Coimbra Editora/ Carcanet Press (English) | Atlantic Ocean, Mondego River | Torga was the first writer to receive the Camões prize, the most prestigious literary award in the lusophonic world. The novel narrates the main memories of his life, such as his childhood in Trás-os-Montes, the landscapes of the countryside, his first trip through Europe dominated by fascism, the meeting in Paris with Portuguese political exiles, the rebellions against the Estado Novo, the Spanish civil war, and even his experience in the Salazar chains. | |||||||||||||||||||
| Gaibéus | António Alves Redol | 1939 | Gaibéus (Google Translate) | N/A | Editorial Inquérito Limitada, Leya Group | Lezíria Floodplains (Tagus and Sorraia River) | One of the few works that established Portuguese Neo-Realism. The novel vividly exposes the brutal exploitation, poverty, and harsh living conditions of the “gaibéus”—migrant rice field workers who traveled from northern Portugal to the Ribatejo region to harvest rice. Redol based the book on extensive fieldwork and interviews with agricultural laborers, aiming to report real-world suffering rather than pure fiction. True to genre, Redol based the book on extensive fieldwork and interviews with agricultural laborers, aiming to report real-world suffering rather than pure fiction. | |||||||||||||||||||
| Esteiros | Soeiro Pereira Gomes | 1941 | Estuaries | Tiago Silva | 8th House Publication (English) | Tagus River | Published in 1941, “Esteiros”, has characters inspired by reality: Gaitinhas, Guedelhas, Gineto, Maquineta and Sagui, are “the children of men who were never boys”, dedication of the author to open the novel. The work, one of the most emblematic of the Portuguese neorealist movement. The 1st edition has cover and illustrations by Álvaro Cunhal, the historical founder of the PCP, the Portuguese communist party to which the writer had joined in 1937. | |||||||||||||||||||
| Mau Tempo No Canal | Vitorino Nemésio | 1944 | Bad Weather in the Channel | Francisco Cota Fagundes | Tagus Press | Faial-Pico Channel (Atlantic Ocean) | The narrative, temporally situated between 1917 and 1919, focuses on Margaret Clark Dulmo, a piece of unfounded and frustrated love relationships and none of them capable of realizing her existential ambitions, continually vetoed by what is socially conventionalized and imposed in a suffocating and unavoidable way by the bourgeois morality of the Azorean society of the first decades of the 20th century, and its geographical insularity, and how it pervades the psyche. | |||||||||||||||||||
| Uma Noite A Toca do Lobo | Tomaz de Figueiredo | 1947 | The Wolf’s Lair / A Night in the Wolf’s Den | N/A | Edições Ática | Rio Côa (Côa River) | Written in an unmistakable style and with a deeply personal sense of humor, the work draws its deepest roots from the setting of the author’s childhood: a farm in the Alto Minho region. The novel is known for its heavily symbolic rural landscape, streams, and fountains. | |||||||||||||||||||
| Trapo Azul | Romeu Correia | 1948 | Blue Rag (Google Translate) | N/A | Editorial Notícias | Tagus River/ Atlantic Ocean | Correia’s debut novel, and one of the earliest novels of Portuguese Neo-realism. It is set in Almada, across the Tagus River from Lisbon, and portrays the struggles of working‑class communities, especially women and families, against poverty and social injustice. | |||||||||||||||||||
| Vindima | Miguel Torga | 1945 | Grape Harvest | N/A | Publicações Dom Quixote | Douro River Valley (Rio Douro), Pinhão River | Set in the picturesque landscape of the wine-growing estates in the valley of the Douro River. Like every autumn, people of all ages from the poor mountain villages descend there to earn during two weeks a meagre though desperately needed extra gathering and pressing the grapes to fill the wine-casks of the owner of Cavadinha who is a tough and unsentimental businessman. | |||||||||||||||||||
| Mudança | Vergílio Ferreira | 1949 | Change (Google Translate) | N/A | Portugália Editora | Beira Alta region (Mondego River, Zêzere River) | An essential novel in the Portuguese canon, for this is where Ferreira moved away from Social realism towards the Existentialism, with which Europe was already tackling at the time. The final pages of Mudança witness the new post-Second World War European scenario, which motivates the rupture of the book’s main character with his past as a sympathizer of Nazism, with the consequent drift towards a heterodox thought, markedly existential. | |||||||||||||||||||
| Calamento | Romeu Correia | 1950 | silence (Google Translate) | N/A | Editorial Minerva | Atlantic Ocean | Set on the Costa de Caparica and Fonte da Telha. It portrays artisanal fishermen and their families, showing their poverty, resilience, and dependence on the Atlantic Ocean as both livelihood and threat. | |||||||||||||||||||
| Rio sem ponte | Ilse Losa | 1952 | River without a Bridge | N/A | Edições Afrontamento | Ruhr River basin (Symbolical) | One of the few novelists in Portugal to have witnessed and discuss the Holocaust. The novel follows the lives of two adolescents, Jutta and Johann, growing up in Germany as Nazism begins to spread. The novel captures the daily struggles, economic hardships, and social turmoil faced by young people in a society losing its moral compass. It represents the deep, uncrossable divide of exile, forced migration, and the loss of one’s homeland. | |||||||||||||||||||
| A Ilha das Maldições | António Vicente Campinas | 1954 | The Island of Cursed Dreams | N/A | Portugália Editor | Atlantic Ocean | Although much of Campinas’ oeuvre does to remain, for its constant altercations with the Salazar Regime, the novel is an allegorical narration blending social realism with myth and folklore. It critiques dictatorship and colonial exploitation through the metaphor of an isolated, cursed island. | |||||||||||||||||||
| Uma mão cheia de nada outra de coisa nenhuma | Irene Lisboa | 1955 | A handful of nothing and another of absolutely nothing. | N/A | Livraria Figueirinhas | Sea (Symbolic) | It is a collection of 26 short stories blending tradition, imagination, and everyday life. All the characters in these tales have one thing in common with each other and with us; It is through the five senses – sight, smell, hearing, touch and taste – that they begin to unravel their dreams and desires. So pay close attention: everything that surrounds you – people, animals, things – can be the key to understanding what you feel, think and desire for your life. Beyond your senses, remember that the greatest power we have is imagination! | |||||||||||||||||||
| A Menina do Mar | Sophia de Mello Breyner Andresen | 1958 | The Girl from the Sea | Margaret Jull Costa and Robin Patterson | Dedalus Books | Atlantic Ocean/ Praia da Granja | The reader witnesses a friendship between a young boy and the The Girl from the Sea, who will try to overcome their differences, by sharing with each other what moves them and what they are passionate about. | |||||||||||||||||||
| O Lugre | Bernardo Santareno | 1959 | The Lugger (English Translation) | N/A | Editora Ática | North Atlantic Ocean | A powerful tragic drama by Portuguese playwright Bernardo Santareno. Inspired by his own time as a physician for the cod-fishing fleet, the play chronicles the brutal confrontation between man and nature, depicting the harsh, harrowing lives of Portuguese fishermen enduring the freezing, perilous waters of the North Atlantic. | |||||||||||||||||||
| Nos Mares do Fim do Mundo | Bernardo Santareno | 1959 | In the Seas at the End of the World | N/A | Editora Ática | North Atlantic Ocean | Between 1957 and 1959, Santareno and physician António Martinho do Rosario embarked as a doctor of the Portuguese cod fleet in Terra Nova. From what he would live in those three years was born his only work of prose and a unique document and at the same time epic, intimate, cruel and of a poignant sensibility. | |||||||||||||||||||
| Constantino: Guardador de Vacas e de Sonhos | António Alves Redol | 1962 | Constantino, Keeper of Cows and Dreams | N/A | Portugália Editora | Trancão River | At twelve years old, Constantino hasn’t yet filled out, but he’s certainly not lacking in smarts. School is the worst: he prefers to chase after fish and birds. And he even managed to catch a fox without even going hunting. While tending the cows, Constantino dreams of becoming a ship’s locksmith and building a boat to take him to Lisbon. | |||||||||||||||||||
| Jesus Passou por Aqui | António Guedes de Amorim | 1963 | Jesus Passed By Here (Google Translate) | N/A | Sociedade de Expansão Cultural | Jordan River | Inspired by his pilgrimage to the Holy Land, blending personal reflection, Christian spirituality, and historical context. As father Augustine Veloso put it, “We have read many books about Christ and the lands where he has gone. We know all the great world-renowned experts. But this book is different. I will say: it is a current book that was needed, and it came to fill a real gap.” | |||||||||||||||||||
| O Cavaleiro da Dinamarca | Sophia de Mello Breyner Andresen | 1964 | The Knight of Denmark | Margaret Jull Costa and Robin Patterson | Livraria Figueirinhas | Jordan River, Mediterranean Sea | Story of a knight who lived with his family and his servants in a forest in Denmark, in Northern Europe. On a Christmas night, during the supper, when everyone was gathered around the table, eating and telling stories, the knight told them that he would go on a pilgrimage to the Holy Land, to pray in the cave where Jesus of Nazareth had been born and that, therefore, from that night to a year would not be with them promising that, from night to two years, they would be together again celebrating Christmas. | |||||||||||||||||||
| Nós, os do Makulusu | José luandino vieira | 1974 | We, the People of Makulusu (Google Translate) | N/A | Livraria Sá da Costa Editora | Atlantic Ocean | Written in Tarrafal concentration camp, the novel features the protagonist, Mais-Velho, who joins three other characters who grew up together in Makulusu, Luanda’s poor neighborhood: Maninho, Paizinho and Kibiaka. The plot, set in an acute moment of the national liberation struggle, demonstrates how the violence of colonialism forces fellow children’s adventures to choose irreconcilable paths, some engaging in armed struggle and being arrested, others omitting or attending to clandestine work. | |||||||||||||||||||
| A Vida Verdadeira de Domingos Xavier | José Luandino Vieira | 1974 | The Real Life of Domingos Xavier | Michael Wolfers (1978) | Edições 70/ Heinemann (English) | Kwanza River | It depicts the harshness of white “justice” and the bravery of Africans in pre-independent Angola. Vieira’s work often reflects the unique blend of Kimbundu and Portuguese spoken in Luanda’s musseques (African quarters). He was imprisoned for 11 years for his anti-colonial activism. The novella is known for its realism and portrayal of the oppressive nature of Portuguese occupation. | |||||||||||||||||||
| Os Cus de Judas | Antonio Lobo Antunes | 1979 | Land at the end of the world (2011) | Margaret Jull Costa | W. W. Norton & Company | Congo River Basin/ Cambo River | It reflects the personal experience of Lobo Antunes as an army doctor sent to Angola during the Portuguese Colonial War. The novel follows a Portuguese army doctor returning to Lisbon after serving a harrowing twenty-seven months on the front lines of the Colonial War in Angola. Unable to reintegrate into civilian society, find meaning, or escape his trauma, the narrator spends a long, drunken night in a bar confessing his memories to a silent female lover. Through a desperate stream-of-consciousness monologue, he recounts the absurd horrors of the war, the neglect by the Portuguese government, and the brutal realities of the colonial occupation | |||||||||||||||||||
| Sinais de fogo | Jorge de Sena | 1979 | Signs of Fire | John Byrne | Carcanet Press (Englsh) | Mondego River, Atlantic Ocean | A semi-autobiographical novel set in Portugal in 1936, at the outbreak of the Spanish Civil War. It blends a sweeping fresco of Portuguese society under Salazar’s authoritarian regime with the coming-of-age story of a young poet. The novel draws from Sena’s biographical experiences as a young student in 1936 Lisbon and Figueira da Foz, attempts a fictional inscription, for future remembrance, of the conflict’s impact on António de Oliveira Salazar’s Estado Novo regime, which supported the alzamiento and Franco, and on the living conditions and political positioning of the generations which endured it. | |||||||||||||||||||
| Memória de Elefante | Antonio Lobo Antunes | 1979 | An elephant’s memory (Google Translate) | N/A | Dom Quixote Publicações | Tagus River(Rio Tejo) | António Lobo Antunes’s first novel, published in Portugal in 1979, is a portrait of an existential crisis. The protagonist, a psychiatrist residing in Lisbon whose true vocation is writing, recounts various facets and chapters of his life through a vibrant voice, emphasizing the most intimate and engaging aspects. Over the course of a day and a night, the hero and narrator of this story reveals the desire to truly listen to himself and, in doing so, to finally rediscover an identity lost long ago. | |||||||||||||||||||
| Memorial do Convento | José Saramago | 1982 | Baltasar and Bilmunda (1987) | Giovanni Pontiero | Vintage | Atlantic Ocean | Set in the eighteenth century, it takes place during the construction of the famous Baroque and Neoclassical monastic palace, the Convent of Mafra, in Portugal. A young man and woman, Baltasar and Blimunda, meet in Lisbon and fall in love in the midst of an international war. While they undergo their own existential struggles, they encounter important figures in Portugal’s history, such as Padre Bartolomeu de Gusmão, a priest who invented a precursor to the airplane, and Domenico Scarlatti, a famous composer. | |||||||||||||||||||
| Fado Alexandrino | Antonio Lobo Antunes | 1983 | Fado Alexandrino (1990) | Gregory Rabassa | Grove Press (English) | Indian Ocean, Atlantic Ocean | On the tenth anniversary of the return of their battalion from Mozambique, five men attempt to rekindle the fraternal bond that helped them survive the colonial war that was Portugal’s Vietnam, and who reunite for a debaucherous, soul-baring night in Lisbon. In turn, they tell the stories of their lives before, during, and after the revolution that overthrew the long-lived Salazar dictatorship. | |||||||||||||||||||
| O Meu Mundo Não É Deste Reino | João de Melo | 1983 | My World Is Not of This Kingdom | Gregory Rabassa (2003) | Dom Quixote Publicações/ Aliform Publishing (English) | Atlantic Ocean | Cadete the Healer and Sara the Saint; Barbaro the Pilgrim and the syphilitic priest, His Holiness Father Governo; the death and resurrection of Joao-Lazaro; all on the island in the middle of the ocean. Myth-haunted village in the Azores, It chronicles a clash between deeply rooted, almost medieval traditions. It explores the aftermath of war, exile, and the search for meaning in a fractured world. | |||||||||||||||||||
| O Ano da Morte de Ricardo Reis | José Saramago | 1984 | The Year of the Death of Ricardo Reis | Giovanni Pontiero | Vintage | Tagus River, Atlantic Ocean | The story revolves around Ricardo Reis, a character created by the renowned modernist poet Fernando Pessoa, who returns to Lisbon from Brazil after learning of Pessoa’s death in 1935. Set against the backdrop of rising totalitarianism in Europe, including fascist regimes, the novel explores themes of identity, existence, and the cultural climate of the time. Throughout his journey in Lisbon, Reis engages in philosophical conversations with the ghost of Pessoa, addressing profound topics such as art, politics, and religion. The narrative reflects the eerie blending of life and death, culminating in Reis’s visit to Pessoa’s grave, which symbolizes his connection to a culture struggling against oppression. | |||||||||||||||||||
| Balada da Praia dos Cães | José Cardoso Pires | 1984 | Ballad of Dog’s Beach: Dossier of a Crime | Mary Fitton | Publicações Dom Quixote | Atlantic Ocean | In Portugal, in the 60s, the corpse of a man appears on Dog’s Beach. The corpse is identified as the major Dantas, a man wanted by authorities after his escape from a military prison where he was awaiting trial for insurrection. Inspector Elias Santana investigates the murder of Major Luis Dantas Castro. The investigation not only reconstructs events leading up to the assassination but also unmasks the political, social, and moral degradation endemic to both Portugal’s fascist regime and its opposition parties. | |||||||||||||||||||
| Yaka | Artur Carlos Maurício Pestana dos Santos (Pepetela) | 1984 | Yaka | Marga Hollness | Heinemann (English) | Atlantic Ocean, | Yaka gives a panoramic view of the events that shaped Angola from 1890 through the next century as reflected in the life of the Semedo family. From the nineteenth century penal colony, through slavery, African uprisings, and land expropriation, Yaka charts the formation of a nation. Alexandre Semedo’s father, convicted of murder, is transported from Portugal to Angola at the turn of the century. As time passes, the Semedo family becomes increasingly intertwined with Black Angola. Alexandre begins to see why the enigmatic Yaka statue, which he inherited from his father, is a symbol for his country. | |||||||||||||||||||
| A Voz dos Deuses | João Aguiar | 1984 | The Voice of the Gods (Google Translate) | N/A | Edições ASA | Tagus River, Guadiana River | A historic novel by João Aguiar about the Lusitanian War. It takes the form of the written memories of Tongius, a Roman-Hispanic citizen and the high priest of the temple of Endovelicus in Lusitania, who relates his life, including his birth in the tribe of the Cynetes, his encounter with Lusitanian chieftain Viriathus, and his role as Viriathus’s comrade-in-arms in the battle against the Roman Republic. | |||||||||||||||||||
| Autópsia de Um Mar de Ruínas | João de Melo | 1984 | Autopsy of a Sea of Ruins | N/A | Assírio & Alvim | Atlantic Ocean | The novel focuses alternately on the daily routine of a unit of Portuguese soldiers serving at the front in Northern Angola, and on that of the native Angolans living in a nearby enclosed village (sanzala). Both the Portuguese battalion and the Angolan people present their stories in parallel. Here, therefore, is a novel built on two languages, two points of view, two social reasons, two stories within the contemporary history of colonialism and war – the adverse reality of two human universes in emergency situation. | |||||||||||||||||||
| A Casa do Pó | Fernando Campos | 1986 | The House of Dust (Google Translate) | N/A | Difel – Difusão Editorial | Atlantic Ocean, Mediterannean Sea | Pantaleão de Aveiro is a friar who is unaware of its ancestry and origin. Just a medallion, which brings to its chest since it remembers, can lead it to find out who it is. Obsessed with the mystery of its origins, the enigma will be the starting point for an inner journey of identity search, simultaneously with its pilgrimage through the lands of Christendom, from Portugal to the Mediterranean and to the Holy Land, also constituting a reflection on the eternal problems of humanity. | |||||||||||||||||||
| Auto dos Danados | Antonio Lobo Antunes | 1985 | Act of the Damned | Rchard Zenith (1993) | Publicações Dom Quixote | Tagus River, Atlantic Ocean | As the socialist revolution closes in, a once-wealthy Portuguese family is accused of “economic sabotage.” They must escape across the border to Spain, then on to Brazil –but the family is bankrupt, financially and spiritually. The patriarch, Diogo, lies dying, while his offspring rifle through his belongings, searching for his will. He remembers with bitterness and resignation his foolish marriage to his brother’s beautiful mistress, who left him with a mongoloid daughter and a simpleminded son, who at sixty is running toy trains past his father’s deathbed with the solemn self-importance of a five-year-old. | |||||||||||||||||||
| Vozes Anoitecidas | Mia Couto | 1986 | Voices Made Night | David Brookshaw | Editorial Caminho | Indian Ocean | Vozes Anoitecidas is a collection of 15 short stories by Mia Couto blending magical realism with the stark realities of post-colonial Mozambique. A work, which explores themes of poverty, cultural identity, and human endurance amid civil conflict | |||||||||||||||||||
| Ninguém Matou Suhura | Lília Momplé | 1988 | Nobody Killed Suhura | Associação dos Escritores Moçambicanos | Indian Ocean | In her works, Lília Mompléexplores the traditional roles of women and the expectations that accompany them in society, along with the difficulties they face. A short story collection structured in an unconventional way. Its five narratives can be read independently, yet they are thematically interconnected through the depiction and condemnation of the violent colonial experience endured by the peoples of Mozambique and Angola throughout the 20th century. | ||||||||||||||||||||
| As Naus | Antonio Lobo Antunes | 1988 | The Return of the Caravels | Gregory Rabassa | Publicações Dom Quixote | Tagus River, Atlantic Ocean | It is set in Lisbon as Portugal’s African colonies gain their independence in the mid-1970s. In a contemporary response to Camoes’s conquest epic The Lusiads, Antunes imagines Vasco da Gama and other heroes of Portuguese explorations beached amid the detritus of the empire’s collapse. As da Gama begins winning back ownership of Lisbon piece by piece in crooked card games, four hundred years of Portuguese history mingle –the caravels dock next to Iraqi oil tankers, and the slave trade rubs shoulders with the duty-free shops. The Return of the Caravels is a startling and uncompromising look at one of Europe’s great colonial powers, and how the era of conquest reshaped not just Portugal but the world. | |||||||||||||||||||
| A Costa dos Murmúrios | Lídia Jorge | 1988 | The Murmuring Coast (1995) | Natalia Costa and Ronald W. Sousa | University of Minnesota Press (English) | Indian Ocean | At the end of the 60s Evita arrives in the Portuguese colony of Mozambique to marry Luís, a mathematics student doing his military service there. Evita soon realizes that Luís has changed, and in the turmoil of the war he has transformed himself into a pale imitation of his commanding officer, Forza Leal. The men leave on a major military offensive in the north of the country. Evita is left alone and, desperate to understand what has changed Luís, seeks the company of Helena, Forza Leal’s wife | |||||||||||||||||||
| Gente Feliz com Lágrimas | João de Melo | 1988 | Happy People in Tears (2015) | Elizabeth Lowe and Deolinda Adão | Leya Group, Tagus Press (English) | Atlantic Ocean | An award-winning tale of diaspora that takes the reader on a voyage through five worlds—the island home of São Miguel, mainland Portugal, California, New England, and Canada—experienced and suffered through the obsessive search for happiness of a poor Azorean family of nine. It is a polyphonic novel, in which the voices of three of seven siblings narrate their versions of the family saga | |||||||||||||||||||
| História do Cerco de Lisboa | José Saramago | 1989 | The History of the Siege of Lisbon | Giovanni Pontiero | Editorial Caminho/ Vintage | Tagus River/ Atlantic Ocean | Story of a proofreader, and the story of the Siege of Lisbon, the subject of the book he is charged with correcting. Raimundo Silva is a proofreader at a publishing house—an unremarkable man whose life’s mission is to preserve the integrity of the texts that come his way. One day, while reviewing a historical manuscript, he makes a decision: to insert a “No” where a “Yes” ought to appear. | |||||||||||||||||||
| Sostiene Pereira | Antonio Tabucchi | 1994 | Pereira Maintains | Patrick Creagh | Feltrinelli Editore/ Penguin Classics | Atlantic Ocean/ Tagus River | A cultural journalist for the Catholic newspaper Lisboa and the protagonist of the novel, Pereira is an apolitical, heart-diseased and overweight character. His page needs obituaries of famous writers, he hires a young man named Francesco Monteiro Rossi to write them in advance. However, Rossi’s articles are far too radical to publish. Instead of discarding them, Pereira continues to pay the young man and his girlfriend Marta, who are helping the anti-fascist International Brigades fighting in the Spanish Civil War. | |||||||||||||||||||
| O Desejo de Kianda | Artur Carlos Maurício Pestana dos Santos (Pepetela) | 1995 | The Return of the Water Spirit | Luis Mitras | Publicações Dom Quixote | Atlantic Ocean (Kinaxixi lagoon) | Set in Angola in the late 1980’s, a time of war, and when the Marxist-orientated ruling elite became engulfed by corruption, nepotism and rampant capitalism. Three centuries earlier, a hideous crime occurred, the beheading of a slave who had had inappropriate relations with his Master’s daughter. Now, in the very same Kinaxixi Square in the city of Luanda buildings are falling down one by one baffling the country’s engineers. Many describe this mysterious process as ‘Luanda Syndrome, God’s punishment on a degenerate society. | |||||||||||||||||||
| A varanda do frangipani | Mia Couto | 1996 | Under the Frangipani | David Brookshaw | The Serpent’s Tail | Indian Ocean | A police inspector is investigating a strange murder, a case in which all the suspects are eager to claim responsibility for the act. Set in a former Portuguese fort which stored slaves and ivory, Under the Frangipani combines fable and allegory, dreams and myths with an earthy humour. The dead meet the living, language is invented, reality is constantly changing. | |||||||||||||||||||
| Historia de una gaviota y del gato que le enseñó a volar | Luis Sepúlveda | 1996 | The Story of a Seagull and the Cat Who Taught Her to Fly | Margaret Sayers Peden | Scholastic Paperbacks (English) | North Sea, Hamburg’s Harbour | Zorbas, a “big fat black” cat from the port of Hamburg, made a promise to the dying seagull Kengah: to take care of her egg until the baby seagull hatches, and then look after the chick and teach it to fly. And so, he and the other cats begin the hard task of caring for the young seagull Afortunada and, in the end, teaching her to fly. | |||||||||||||||||||
| O Homem Suspenso | João de Melo | 1996 | The Suspended Man (Google Translate) | N/A | Dom Quixote | Atlantic Ocean | Melo presents a compelling analysis of and reflection on Portuguese identity, constructing and deconstructing the values and habits that define it—whether through descriptions of long walks in a Lisbon that is at once beautiful, imposing, and paradoxically anachronistic, or through the narrator’s thoughtful observations. | |||||||||||||||||||
| A Gloriosa Família | Artur Carlos Maurício Pestana dos Santos (Pepetela) | 1997 | The Glorious Family (Google Translate) | N/A | Publicações Dom Quixote | Atlantic Ocean | The novel takes place during the Dutch occupation of Angola. The narrative deals with the family of Baltasar Van Dum, a Flemish slave trader in Luanda, during the period of time that the Dutch ruled the colony. The novel is narrated by a mute mestiço slave, who is one of Van Dum’s favorites. | |||||||||||||||||||
| Mariana | Katherine Vaz | 1997 | N/A | N/A | Harper Collins | Atlantic Ocean | This novel is based upon the true story of Mariana Alcoforado, sent to a convent during Portugal’s revolt against Spain in the seventeenth century, where she conducts an all-consuming love affair with a French cavalry officer. After being abandoned, she writes him a series of passionate love letters–translated and included here–that become famous throughout Europe during her lifetime, and thereafter. | |||||||||||||||||||
| O Estranho Caso de Angélica | Manoel de oliveira | 1998 | The Strange Case of Angelica | N/A | Editions Dis Voir | Douoro River | One rain-swept night, a young Jewish photographer named Isaac (the director’s grandson and regular lead Trêpa) is called out to the moneyed Portas estate, where he is to take a photo of the family’s married daughter Angelica (López de Ayala), who has just died. He starts snapping the deceased – only to see her open her eyes and smile at him through his viewfinder. | |||||||||||||||||||
| O Vale da Paixão | Lidia Jorge | 1998 | The Migrant painter of birds | Margaret Jull Costa | Harvill Press | Atlantic Ocean | The story of a daughter’s longing for her absent father and her determination to piece together the past and the future. Set in an old farmhouse in Portugal; a house far enough from the Atlantic not to hear the breaking waves during a storm but near enough for the walls to be corroded by the salt in the air. With most members of her large family having left the hardship of life in this landscape of sand and stone for jobs in faraway places, a young woman struggles to piece together her past from the widely varying stories | |||||||||||||||||||
| Mar me que | Mia Couto | 1998 | Sea Loves Me | David Brookshaw and Eric M. B. Becker. | Editorial Caminho | Alanic Ocean, Bay of São Vicente | This short novel tells the stories of some inhabitants of a coastal village of Mozambique. Using magical realism, the story blends folklore and the natural landscape into the narrative. The title Mar me quer is a clever wordplay on mal-me-quer (the Portuguese name for a marigold or daisy), referencing the classic petal-pulling game “she loves me, she loves me not”. | |||||||||||||||||||
| O Prenúncio das Águas | Rosa Lobato de Faria | 1999 | The Omen of the Waters (Google Translate) | N/A | Leya Publishing Group | Alqueva Dam (Guadiana river) | Set against the backdrop of Rio dos Anjos—a small village doomed to be submerged by the waters of a future reservoir—five narrators speak of themselves and of the past, present, and a future flooded with absence. Through their testimonies, a landscape of love, jealousy, betrayal, and revenge takes shape as the village moves toward its inevitable end. | |||||||||||||||||||
| Um Anel na Areia | Manuel Rui | 2002 | A Ring in the Sand | N/A | Editora Cotovia | Atlantic Ocean | Maritime imagery emphasizes the characters’ rudderlessness, as, one by one, African religion, Catholicism, Marxism and consumerism are discarded as moral guides in a society where war has pulverized all systems of belief. Marina, a young secretary, receives a gold ring from her boyfriend Lau the first time they make love on the beach. Her response is to toss into the ocean, as an offering to the goddess Kianda, the inferior rings she inherited from her late mother. | |||||||||||||||||||
| O Vento Assobiando nas Gruas | Lidia Jorge | 2002 | The Wind Whistling in the Cranes | Margaret Jull Costa and Annie McDermott | Dom Quixote (Original), Liveright Publishing Corporation (English) | Atlantic Ocean | Algarve, late 90s. Following the death of her grandmother, Milene – a strong young woman full of life despite a slight mental handicap – divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal’s recent past. | |||||||||||||||||||
| Equador | Miguel Sousa Tavares | 2003 | Equator | Peter Bush | Oficina do Livro/ Bloomsbury Press (English) | Atlantic Ocean (São Tomé and Príncipe) | It is 1905 and Luis Bernardo Valenca, a thirty-seven-year-old bachelor and owner of a small shipping company, is revelling in Lisbon’s grand and luxurious high society. But his life is turned upside down when King Dom Carlos invites him to become governor of Portugal’s smallest colony, the island of São Tomé e Principe. Luis Bernardo is ill-prepared for the challenges of plantation life – used to a softer urban existence, he is shocked by the conditions under which the workers labour. | |||||||||||||||||||
| O Vendedor de Passados | José eduardo agualusa | 2004 | The Book of Chameleons | Daniel Hahn | Publicações Dom Quixote | Atlantic Ocean | Story follows Felix Ventura as he trades in a curious commodity—he sells people different pasts. He can create entirely new pasts full of better memories and complete with new lineage or augment existing pasts as needed. Narrated by an exceptionally articulate and rather friendly lizard that lives on Felix’s living-room wall, this richly detailed story explores how people can remember things that never happened—and with extraordinary vividness—even as they forget things that did in fact occur. | |||||||||||||||||||
| Os Meus Sentimentos | Dulce Maria Cardoso | 2005 | Violeta Among the Stars | Ángel Gurría-Quintana | MacLehose Press (English) | Atlantic Ocean | The book is narrated in the first person by Violeta, an overweight woman who has been involved in a car accident, while drunk, during a thunderstorm. She is inside the car, upside down, being held by the seatbelt. She starts recalling not only the immediate hours before the accident, but also various moments from her life, including her relationship with her daughter, called Dora, and her parents. | |||||||||||||||||||
| O Último Ano em Luanda | Tiago Rebelo | 2008 | The Last Year in Luanda (Google Translate) | N/A | Presença | Atlanic Ocean, Bay of Luanda | In 1974, a revolution in Lisbon caught hundreds of thousands of Portuguese living in Angola by surprise. From that day begins the unstoppable collapse of an entire society which, like a sinking ship, is condemned to destruction and ruin. In a few months, three hundred thousand Portuguese are forced to drop everything and flee, boarding an air and sea bridge that marks the greatest exodus in the history of this people. Behind are their homes, cars and even pets. Companies, factories, trade and farms are abandoned while Luanda, the jewel capital of the crown of the Portuguese empire, is rocked by a civil war that spreads to the rest of Angolan territory. | |||||||||||||||||||
| O Sétimo Selo | José Rodrigues dos Santos | 2007 | The Seventh Seal | N/A | Gradiva | Antarctic Ocean | Antarctica, summer of 2002. Howard Dawson, chief scientist at the American Antarctic scientific station, McMurdo, receives a radio contact from the Argentinean scientific station, Marambio. The Argentineans are at the Larsen B ice shelf and report that the shelf is shaking and on the verge of collapse. Puzzled, Dawson requests satellite imagery and is astonished to find the assessment credible. He immediately flies to the Antarctic Peninsula, where Larsen B lies. Once there, he bewilderedly watches the ice shelf disintegrate. Dawson is overwhelmed by the sight of a slab of ice the size of Rhode Island separating from Antarctica, and returns in shock to McMurdo. Alone in his lab, he prepares to file a report on the biggest global warming event ever seen by human eyes. | |||||||||||||||||||
| O Arquipélago da Insónia | Antonio Lobo Antunes | 2008 | The Archipelago of Insomnia | N/A | Publicações Dom Quixote | Tagus River/ Trafaria region | A primitive rural world ruled by the boss’ absolute authority. The novel begins with the first person narration of the boss’ grandson, an autistic child. He rattles off his terrorific, extremely violent accounts of beings that have lost all humanity and commit terrible crimes. Later, when the boy is committed to a mental sanatorium, the reader discovers that the successive descriptions and scenes are a result of the narrator’s sick mind. But perhaps not everything is fruit of his imagination. | |||||||||||||||||||
| AvóDezanove e o segredo do soviético | Ondjaki | 2008 | Gramma Nineteen and the Soviet’s Secret | Stephen Henighan | Biblioasis (English) | Atlantic Ocean/ Bay of Luanda | Set in the Praia do Bispo neighborhood of Luanda during the 1980s, the story is narrated by a young boy who observes the everyday lives, games, and friendships of local children amid the presence of Soviet workers constructing a grand mausoleum in honor of former president Agostinho Neto. The narrative explores the looming threat that the project will require demolishing homes and displacing residents. The book blends suspense, poetry, and humor through a child’s perspective on the realities of late Cold War Soviet influence in Angola. | |||||||||||||||||||
| Uma Viagem à Índia | Gonçalo M. Tavares | 2010 | A Voyage to India (2016) | Rhett McNeil | Editorial Caminho | Atlantic Ocean, Indian Ocean, Indus River | A Voyage to India is the story of Bloom, our hero, as he makes his way from Lisbon to India in a decidedly non-heroic age. Gone are the galleons, gone is god; so too the swords of the swashbuckler and sacerdotal certainty. Parodying “The Lusiads,” Luis de Camoes s sixteenth-century Portuguese epic of seafaring exploration and naval prowess, Tavares’s poem is a solemn requiem of sorts, an investigation into the psyche of humankind in a world where the advance of technology outpaces our ability (or desire) to theorize it, the search for wisdom has been abandoned, and old imperialist dreams have revealed themselves to be a postcolonial nightmare. | |||||||||||||||||||
| A máquina de fazer espanhóis | Valter Hugo Mãe | 2010 | The Machine for Making Spaniards | N/A | Objectiva (imprint of Penguin Random House) | Tagus River, Atlantic Ocean | It tells the story of Antonio Silva, an eighty-four year old man whose wife, Laura, on whom he is very dependent, has just died. His children move him into an old people’s home where, initially, he is very unhappy but he gradually adapts, making friends with some of the other residents. But while that alone would make this an interesting novel, mãe, through Antonio, discourses on Portugal, both Portugal under Salazar and Portugal now. | |||||||||||||||||||
| El Rey: A Novel of Renaissance Iberia | Ginger Myrick | 2011 | N/A | N/A | CreateSpace Independent Publishing | Atlantic Ocean | Inez is the outspoken, independent daughter of a wealthy merchant who fled the Spanish Inquisition and a domineering mother of English noble stock with secrets of her own. At a dinner party in his honor, she falls in love with El Rey, a dashing, charismatic sea captain with a golden voice who has spent his life expanding the Portuguese empire. He is nephew of the King of Portugal with blood ties to the illustrious royal houses of Castile’s Queen Isabella and England’s King Henry VIII. Though misfortune, class prejudice, and El Rey’s foolish pride conspire to keep them apart, life’s disappointments only make Inez more determined to seek out the elusive happiness in which she has never stopped believing. | |||||||||||||||||||
| O Retorno | Dulce Maria Cardoso | 2011 | The Return | Ángel Gurría-Quintana | Tinta da China, MacLehose Press (English) | Atlantic Ocean | Rui, the fifteen-year-old narrator, is getting ready to leave Angola with his parents, Glória and Mário, and his sister. He has an uncle who is staying there, because he wants to help create an independent country. His father, however, feels great resentment and wants to destroy everything that he is not able to take with him. While they are waiting for his uncle, who is going to take them to the airport, a group of rebel soldiers knocks on their door. Rui’s father gives them tobacco, but they don’t leave anyway. They are looking for a man whom they call the “butcher of Grafanil”. | |||||||||||||||||||
| Teoria Geral do Esquecimento | José Eduardo Agualusa | 2012 | A General Theory of Oblivion | Daniel Hahn | Vintage (English) | Atlantic Ocean | On the eve of Angolan independence, Ludo bricks herself into her apartment, where she will remain for the next thirty years. She lives off vegetables and pigeons, burns her furniture and books to stay alive and keeps herself busy by writing her story on the walls of her home. The outside world slowly seeps into Ludo’s life through snippets on the radio, voices from next door, glimpses of a man fleeing his pursuers and a note attached to a bird’s foot. Until one day she meets Sabalu, a young boy from the street who climbs up to her terrace. | |||||||||||||||||||
| A Confissão da Leoa | Mia Couto | 2012 | Confession of the Lioness | David Brookshaw | Editorial Caminho, Farrar, Straus and Giroux (English) | Indian Ocean, Lundei River | Story of an isolated village in northern Mozambique, still suffering from the effects of brutal civil wars, which is now being ravaged by man-killing lions. No one, however, seems to be quite sure whether the lions are genuine wild beasts, animals that have been summoned into being by a sorcerer, merely an excuse for human violence, or some mix of all three. The novel is written in a series of flashbacks, diary entries, and dream sequences from two alternating perspectives: that of the professional hunter, Arcanjo, who has been hired to go to Kulumani and kill the lions; and that of Mariamar, a woman from the village whose sister is the latest victim. | |||||||||||||||||||
| Tango in Madeira | Jim Williams | 2013 | N/A | N/A | Marble City Publishing | North Atlantic Ocean | A piece of historical fiction, through the eyes of a disillusioned ex-soldier in the aftermath of world war 1; as he comes across Agatha Christie, George Bernard Shaw, who admitted to learning tango during his stay in Madeira. | |||||||||||||||||||
| Os Navios da Noite | João de Melo | 2016 | Ships of the Night | N/A | Dom Quixote | Atlantic Ocean | A constellation of eighteen short stories that cut through the night—aboard ships, beneath the white light of dreams and desires. | |||||||||||||||||||
| Luanda, Lisboa, Paraíso | Djaimilia Pereira de Almeida | 2018 | N/A | N/A | Companhia das Letras | Atlantic Ocean/ Tagus River | Luanda, Lisboa, Paraíso describes the journey, in the colonial period, of the Angolan Cartola de Sousa, who lives in the small town of Quinzau, in Angola. He travels to Luanda, where he marries. He later moves to Moçamedes, where he becomes an assistant nurse to the Portuguese doctor Dr Barbosa da Cunha. The journey then takes us to post-colonial Lisbon, to the outskirts of the city where many African immigrants made their homes. This is the antiphrastic Paradise of the title. It is at once reality and metaphor. The narrative focuses on a figure widely represented in the Portuguese colonial imagination, but little treated in Portuguese literature. Who is Cartola de Sousa? | |||||||||||||||||||
| A Outra Margem do Mar | Antonio Lobo Antunes | 2019 | The Other Margin of the Sea | N/A | Dom Quixote | Atlantic Ocean/ baixa do cassanje region | A Outra Margem do Mar recovers the beginning of the upheaval in Baixa do Cassanje, Angola. The novel focuses on incidents that occurred prior to the Colonial War—when large cotton plantations began to be set ablaze—events that were pivotal to the unfolding of the conflict. | |||||||||||||||||||
| Até que as pedras se tornem mais leves que a água | Antonio Lobo Antunes | 2017 | Until Stones Become Lighter than Water | Jeff Love | Dom Quixote/ Yale University Press (English) | Atlantic Ocean, Indian Ocean | Drawing on his own bitter experience as a soldier stationed for twenty-seven months in Angola, Lobo Antunes tells the story of a young African boy who is brought to Portugal by one of the soldiers who destroyed the child’s village, and of the boy’s subsequent brutal murder of this adoptive father figure at a ritual pig killing. A timely consideration of the lingering wounds that remain from the conflict between European expansionism and its colonized victims who were forced to accept the norms of a supposedly superior culture. | |||||||||||||||||||
| Os Vivos e os Outros | José Eduardo Agualusa | 2020 | The Living and the Rest | Daniel Hahn | MacLehose Press | Indian Ocean | Set in Moçambique and covering seven days. It is 2019, and the first Ilha de Moçambique Literary Festival is to take place here but there is a big storm and on the first day those who have made it to the island, or were already there, find themselves cut off from the rest of the world, with even the phones and internet not working. As the short final chapter of The First Day sums up: “That is how it all begins: the night splitting open in a huge flash, and the island separating from the world. One time coming to an end, another beginning. Though nobody realized it then.” | |||||||||||||||||||
| Cut from the Earth | Stephanie Renee Dos Santos | 2021 | N/A | N/A | Next Chapter Publication | Tagus River, Atlantic Ocean | In 1755, the famous Portuguese tile maker, Pêro Manuel Pires is dedicated to help the enslaved to freedom and hires them to work in his shop, triggering malcontent in his competitors. Pêro harbors an illicit female artist, whose risqué creations keep the factory’s works in demand by Lisbon’s elite. But the success of her designs ignites strife. Bringing him and his loved ones under the menacing eye of the Inquisition with threat of imprisonment and closure of his shop. | |||||||||||||||||||
| Oceano de Saudade | Pamela Matos Silva | 2025 | Ocean of Longing (Google Translate) | N/A | Bookmundo | Atlantic Ocean | Tells the story of Isabela, a young woman who returns to her birthplace—the island of Santa Maria in the Azores—after facing a past filled with secrets and hardships. Amidst family challenges, a delicate investigation, and a rekindled romance, Isabela discovers the power of belonging and the importance of building a future grounded in love and hope. In this moving narrative, the reader is transported to a stunning natural setting where the sea, the land, and the people intertwine in a story of courage, resilience, and new beginnings. | |||||||||||||||||||
| A Jangada de Pedra | Jose Saramago | 1986 | The Stone Raft | Caminho (Portugal), Harcourt Brace (US) | Giovanni Pontiero in 1994 | Novel | The Iberian Peninsula has broken off from Europe and floating on the Atlantic Ocean leading bureaucrats around the world to try and manage the fallout. | |||||||||||||||||||
| Terra Sonâmbula | Mia Couto | 1992 | Sleepwalking Land | Editorial Caminho | David Brookshaw | Novel | The narration alternates the conversations between Tuahir and Muidinga with the entries of the notebooks being read aloud by the latter. Kindzu manages to narrate the birth of an independent Mozambique and the struggle to keep stability right before the civil war. He also discusses the importance of family relationships and finding an identity, both personal and national. | |||||||||||||||||||
